Carlos Stasi and Luiz Guello make up the wonderful Duo Ello. The pair came to Lawrence a few years ago to work with the percussion studio, run some master classes, and finish the weekend with a performance for LU’s World Music Series. I had a great time learning from them, but it was their concert that really blew me away, turned me onto the pandeiro, and stuck with me years after they left our campus. As a duet, Duo Ello blends the classical, traditional, and popular styles of Brazilian music. Using traditional instruments (berimbau, pandeiro, reco-reco, etc) in often untraditional ways, they give a unique sound and energy to an already energetic style of...
Read MorePandeiro, when translated literally, means tambourine. Like the common orchestral tambourine, it is a frame drum with a head on one side and jingles all around the frame. There are, however, some very important differences between the two instruments. Head The head of the pandeiro is traditionally made of animal skin, such as goat- or calf-skin, but can also be made using a synthetic head. The pitch of the drum can be changed by using pressure from the player’s finger on the head itself: pressing into the head will raise the pitch, and releasing the head will lower it. The specific tuning of the open drum varies based on the preference of the musician playing the...
Read MoreHappy October! One of the greatest things about being a percussionist is that there are literally hundreds of instruments that you get to play. You aren’t stuck playing the same instrument day after day after day, rehearsing the same standard orchestral excerpts, playing the same repertoire year after year. You can spend one hour practicing a classical marimba solo, the next hour on jazz drum set, and yet another hour playing with a pair of maracas. This is also what makes percussion so difficult. To be a really well-rounded percussionist, you not only have one instrument to work on, but hundreds. You have to multi-task: find common techniques among various...
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